Could construction sites serve as inspiration for furniture?

CTS compatible tube system

Carl Seegers

CTS (compatible tube system)

The furniture system CTS (compatible tube system)
is inspired by the simplicity of scaffolding structures.
During the field trip, last summer to Palermo the exaggerating use of scaffolding construction in south Italy was recognized. Especially in Palermo, this construction Material is used nearly in every street. There it is not as it is thought, something temporary, but more a permanent object. Due to the overload of buildings from ancient times, the government there has not the sources to renovate all of them. This combined with the south Italian do it yourself way of thinking gives a nearly infinite range of different constructions to discover. Observing this the first transfer got noticed. From temporary to permanent but also from construction to architecture as a striking component in the urban image. This material embedded in the physiognomy of the city was the starting point of research and the idea of transferring this structure from the outside to the inside grew. During the study on different scaffolding models, it turns out that most of them are composed of mainly three elements: Metal tubes, some kind of connectors and platforms to walk on.
Transforming this knowledge into an indoor system was the approach. Using the advantages of the functionality of construction material but also keeping it as simple as possible.

The outcome is a very lightweight system that can take nearly every shape. Due to the flexibility of the connectors and the eternal variety of metal tubes small coffee tables but also big shelves can be constructed. Everything is uncomplicated to build up by hand and easy to pack.

A project made in the course

The Migration of Forms

Transfer as a Tool for Ideas. “Our material world is made up of a succession of layers; generation by generation, work by work, each new layer is informed by and created in dialogue with the existing material strata. The food we eat, the spaces we occupy, the written and visual media we engage with, the songs we listen to, the art we spend time with, the films we watch, and the objects we live with were all informed by past material culture and, in turn, will influence future creative decisions.” This short intro by Jasper Morrison offers a clear vision of our material world, how it evolves and how it is understood and utilised, both structurally and chronologically. We can recognise the inherent law which seems to be working in the background of the theory.
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