Can democracy work in the world of social media?

European Elections 2019

Matteo Zoccolo

3722 smartphone’s screenshots in 36’ 13” loop video projection

European elections 2019 is the collection of each Instagram Story published within the artist’s network of followers during the European elections and the following day (23-27 May).
Among the myriad of contents can be seen a modest amount of awareness to go to vote, the proud exhibition of stamped italian “tessere elettorali” (attesting that one’s duty has been done)
and a propaganda that finds more and more fertile ground in social media. Using an analogue medium like the one still used today for the preservation of cinematographic material,
3722 screenshots are transferred frame by frame onto a super-8 film roll. The final work is the digital recording of the attempt to view the content, with its consequent destruction due to the heat of the projector lamp.
The paradox is that of an image preserved in a unique copy but accessible only at the price of its permanent deletion.

https://vimeo.com/351439884

A project made in the course

Violent Images

Studio IMAGE | BA Major in Art Violent images surround us. They may directly represent violence, or their violent potential may be revealed in connection with their production, dissemination or use. Images both reflect and exert violence: snapshots from the Abu Ghraib create a meme shared round the world; surveillance expands with facial recognition and drone monitoring; sexist images permeate advertising and the entertainment sector. Social platforms like Facebook and Google possess sweeping influence over what we view.
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