Left traces
Lisa-Maria Putzer
Student
Lisa-Maria Putzer Academic staff
Gerhard Glüher Stefano Riba Stephan August Schmidt-Wulffen Course
Studio Exhibit – When Attitudes Become Re-form Program
BA Major Art Semester
2020/21 SS HD video, 39”, loop
Left traces shows the monotony of our everyday life in isolation. It is a loop recording foot prints, displayed on paper. Left Traces displays the flux of time, creating a rhythm at the verge between order and chaos.
A project made in the course
Studio Exhibit – When Attitudes Become Re-form
‘When Attitudes Become Form’ was a groundbreaking exhibition held in 1969 in Bern and re-staged in Venice in 2013 at Prada Foundation. During the summer semester of AY 2019-2020, students were invited to choose, out of the original show, one artist each and to reconstruct the work. They were also expected to produce a work of their own, which would resonate with their replica experience. Important was to introduce the concept of the artist as participant in an ongoing discourse, throughout appropriation and translation.
More projects by Lisa-Maria Putzer

Lisa-Maria Putzer
How can we describe a moment of focus?

Lisa-Maria Putzer, Matteo Antoniazzi
How can we translate sounds into movements?

Lisa-Maria Putzer
How does it affect me when I search through online profiles?

Chiara Martini, Elisa Faletti, Elisabeth Pfeifauf, Filippo Contatore, Giacomo Manlio Turra, Irene Sabine Rainer, Katharina Theresa Mayr, Lilian Polosek, Lisa-Maria Putzer, Luca Bessi, Luca Gori, Sara Cortesi, Sophie Agnese Krause
Studio Exhibit Virtual Space 2020
Explore related projects

Elena Maria Sezzano
What's inside the Berghain?

Isabella Emi Nakamizu Wiesen, Nikolaos Mavropoulos
If you can't go to the club, let the club come to you!

Lorenzo Del Forno, Nina Novalic
How are independent collectives in Friuli Venezia Giulia reinventing nightlife?

Argentina Carrino, Caterina Tonini
Può un bagno pubblico essere anche una discoteca?

Alice Speranza, Matteo Zanettin
Have you ever walked a runway?

Catharina Kolk
How can the experience of Berghain be translated into a exhibition object?

