Materiality of Emotion

Materiality of Emotion

Elisabeth Pfeifauf

Different materials are differently perceived through a cultural significance that can vary from their physical and sensory attributes. This piece offers the viewer to experience, with a selected amount of materials, the physical realm of a material while also reading a text about its cultural property to have a full picture of it.

A project made in the course

Theory and Practice of the Performing Body

Studio INTERACT | BA Major Art Teaching module | Interaction/Performance supervised by: Italo Zuffi (Studio Leader) Aim of this Studio is to explore the expressive and narrative potentials of the body, and employ it as direct work tool to design and implement projects involving a live engagement. The process we will follow is partly based on a pre-defined structure dealing with both physical and analytical work, and partly meant to allow self-generative extensions in relation to the dynamics and outcomes we will create. Inner listening – that is, the capability to define the atmospheric qualities of our state of presence and connection. We will often refer to it as a way by means of which to closely observe and assess our works, from concept to execution.
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