Meet Me at the Laundrette

Meet Me at the Laundrette

Katharina Mayr

Written/printed matter; paperback publication
125 x 190 mm, 300 pages

 

A statement towards a period of time, living in restricted isolation
and stories of being social in a non-space

 

Through a variety of social media channels the date and time of the laundry sessions are shared and announced.

I spend thirty-five minutes at the laundrette, waiting for my laundry to be done. I observe the comings and goings, collecting some thoughts and indulging myself in small conversations whilst waiting. How can a public space be so private — and how can privacy become public value in the glimpse of an eye?
I activate the space, I observe it, I use it, I leave it behind, I return again after 10 days. It is as much a social activity as it is possible. This work is a statement on the forced way of living during a pandemic, delivered through the micro universe of the laundrette — stories are told and privacy shared. ‘Meet me at the Laundrette’ is rooted in a performative process, with underlying repetition and rotation. Here, the planned meets the unexpected, the private the public and the intention the experience. It is all a cycle, like the washing procedure itself, a machine spinning round and round. It has its clear structure, filled with the same monotone action but always leading to different encounters and experiences.

At the end I am bringing something back to this space to set this cycle once again back to its beginnings. It is an artistic statement closing itself in itself after a certain period of time, commenting on the COVID-19 Pandemic through a collection of written reports, texts and sentences. All these stories from the laundrette can be found in a paperback publication which was left behind during a non-event, a non-exhibition in this non-space during these non-social times within the duration of thirty-five minutes. What will happen to the book and its stories? It will continue in some way, starting a new cycle I suppose…

 

#meetmeatthelaundrette

A project made in the course

WORTH A 1000 WORDS? Image and Text: From Representation to a New Politics of Seeing

Since the advent of photography, the complex relationship between photographic image, text and politics has been embedded in photographic and artistic practices as well as critical discourses of photo theory. During the winter semester 2020/21 Studio Image explored the relationship between image, text and politics of communication. We examined a series of examples on a timeline running from the heyday of humanistic photography to the implications of today’s digital technologies. The heart of this semester’s project is artistic projects that innovatively relate to text layers.
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