What's the border between the search for intimacy and the violation of privacy?

UN(NAH)BAR

Julia Luana Carp

44 digital photographs, agglomeration of pixels

 

The project UN(NAH)BAR originated from a search of intimacy during the time of social distancing, in which interactivity and socialization was drastically restricted. As most people, I was physically separated from most of my relatives and friends. With various tools and media I started a series of “Annäherungs-Versuche” (attempts to get closer), trying to overcome the limits of the implemented regulations.

The project explores the meaning of connectivity, through tools within the cyberspace, which are often used for monitoring. The potential monitoring apparatus was therefore changed in its funtion during the search process. Between the search for intimacy and the violation of privacy, the question arised: To what extent can the existence of these tools be justified if there seems to be no restriction to enter someone else’s privacy?

A project made in the course

Studio Image | The End of the Global World? Visual (Counter-) Narratives of Territory and Identity

Studio IMAGE | BA Major in Art Although initially developed by the US military, the World Wide Web of the 1990s ironically seemed to promise the ultimate utopia of a globally connected world with no restrictions. Most diverse communities emerged, beyond concepts of a jus soli or a jus sanguinis. The place of birth seemed to become as irrelevant as the question where one’s parents were citizens of. In the meantime, the Internet has become the space for hate speech, offensive imagery and nationalistic narratives.
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