How could a Bubble make invisible housing crisis visible in urban space?

BUBBLE: inhabitating pubblic spaces

Irene Albanese

Bolzano is a place where housing exists but is no longer accessible. While thousands of apartments remain empty, luxury developments like Walther Park continue to grow. As a result, rents rise to levels that push people out of the market and into precarity or homelessness. 
In Bolzano, the so-called “housing crisis” is actually a real estate bubble fueled by limited supply and public policies favouring owners and investors over residents.
Paradoxically, this price increase coexists with thousands of empty or underused homes and a growing social emergency.
Homes are no longer places where people live; they are now part of a privatized financial empire that prioritises profit over people’s well-being.

“BUBBLE: inhabitating pubblic spaces” began as an idea of a poetic and political occupation of urban spaces. Using a transparent bubble as a “portable home,” the project highlights the precarious conditions caused by the housing market in Bolzano’s streets.
The BUBBLE can be moved between squares, sidewalks, and urban voids, creating situations and images in which life becomes temporary, fragile, and visible. 
At the same time, the “BUBBLE” is also a play device that invites us to experience the city again in a happy, lighthearted, and childlike way. 
The project finds its strength in this ambiguity because, while municipal regulations prohibit camping and temporary settlements, they also state that “playing in public spaces is always allowed,” and the Bubble fits perfectly into this space of freedom.

A project made in the course

Space Ötzity

For the first edition of Spatial Design, the students will be invited to investigate and react to the WaltherPark case study. The story of WaltherPark in Bolzano is one of the most emblematic and contested urban transformations in South Tyrol, where questions of design, politics, and identity converged around a single site at the edge of the historic centre. Conceived in the early 2010s by the Austrian developer Signa and designed by David Chipperfield Architects, the project promised a new commercial, residential, and cultural hub on land long marked by infrastructural gaps and post-war buildings. Its path to realization, however, was anything but linear.
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