How do photographs shape, alter, or replace personal memories?

SECOND HAND MEMORY

Mees Dante Jonker

An exploration of visual memory as a living, fragile gallery. Using images on transparent paper, this exhibition mimics the mind's grouping, shifting architecture where past and present blur, and memories repaint themselves over time.

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A project made in the course

The Window Is the Point

The course examines the "window" as a conceptual model of visual communication—as a metaphor, a device of perception, and a structural principle for layout, grids, typography, white space, and interactive elements. Students analyze historical and contemporary examples from art and design history to digital interfaces and use them as a basis for developing their own experimental design projects. The aim is to create projects that intentionally shape attention, visibility, and meaning in print and digital formats, staging them spatially.
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